Category Archives: Tomaso Giovanni Albinoni

Tomaso Giovanni Albinoni, Op 07, Concerti a cinque (by Berlin Chamber Orchestra)

Tomaso Giovanni Albinoni
Op 07, Concerti a cinque
Concerto Op. 7 No. 1 in D major for Strings & Continuo
Concerto Op. 7 No. 2 in C major for 2 Oboes, Strings & Continuo 4:24
Concerto Op. 7 No. 3 in B flat major for Oboe, Strings & Continuo 10:25
Concerto Op. 7 No. 4 in G major for Strings & Continuo 21:17
Concerto Op. 7 No. 5 in C major for 2 Oboes, Strings & Continuo 27:17
Concerto Op. 7 No. 6 in D major for Oboe, Strings & Continuo 35:30
Concerto Op. 7 No. 7 in A major for Strings & Continuo 40:18
Concerto Op. 7 No. 8 in D major for 2 Oboes, Strings & Continuo 47:11
Concerto Op. 7 No. 9 in F major for Oboe, Strings & Continuo 54:38
Concerto Op. 7 No. 10 in B flat major for Strings & Continuo 1:01:16
Concerto Op. 7 No. 11 in C major for 2 Oboes, Strings & Continuo 1:08:15
Concerto Op. 7 No. 12 in C major for Oboe, Strings & Continuo 1:16:40 (some audio problems)
Performers: Berlin Chamber Orchestra
Hans-Werner Wätzig & Vittorio Negri, Jeffrey Tate


Tomaso Albinoni – Oboe Concerto #2 in D Minor Op. 9

TOMASO ALBINONI (1671 – 1751)

Concerto No. 2 for oboe and strings in D minor Op. 9

1. Allegro e no presto

2. Adagio (3:55)

3. Allegro (7:55)

Performed by Il Fondamento
Directed by Paul Dombrecht, oboe

“Piazza San Marco with Jugglers” by Luca Carlevaris (1663 – 1730)

*Tomaso Giovanni Albinoni was a Venetian Baroque composer. While famous in his day as an opera composer, he is mainly remembered today for his instrumental music, some of which is regularly recorded.

Born in Venice, Republic of Venice, to Antonio Albinoni, a wealthy paper merchant in Venice, he studied violin and singing. Relatively little is known about his life, especially considering his contemporary stature as a composer, and the comparatively well-documented period in which he lived. In 1694 he dedicated his Opus 1 to the fellow-Venetian, Cardinal Pietro Ottoboni (grand-nephew of Pope Alexander VIII); Ottoboni was an important patron in Rome of other composers, such as Arcangelo Corelli. Albinoni was possibly employed in 1700 as a violinist to Charles IV, Duke of Mantua, to whom he dedicated his Opus 2 collection of instrumental pieces. In 1701 he wrote his hugely popular suites Opus 3, and dedicated that collection to Cosimo III de’ Medici, Grand Duke of Tuscany.

In 1705, he was married; Antonino Biffi, the maestro di cappella of San Marco was a witness, and evidently was a friend of Albinoni’s. Albinoni seems to have no other connection with that primary musical establishment in Venice, however, and achieved his early fame as an opera composer at many cities in Italy, including Venice, Genoa, Bologna, Mantua, Udine, Piacenza, and Naples. During this time he was also composing instrumental music in abundance: prior to 1705, he mostly wrote trio sonatas and violin concertos, but between then and 1719 he wrote solo sonatas and concertos for oboe.

Unlike most composers of his time, he appears never to have sought a post at either a church or noble court, but then he was a man of independent means and had the option to compose music independently. In 1722, Maximilian II Emanuel, Elector of Bavaria, to whom Albinoni had dedicated a set of twelve concertos, invited him to direct two of his operas in Munich.

Around 1740, a collection of Albinoni’s violin sonatas was published in France as a posthumous work, and scholars long presumed that meant that Albinoni had died by that time. However it appears he lived on in Venice in obscurity; a record from the parish of San Barnaba indicates Tomaso Albinoni died in Venice in 1751, of diabetes.

He wrote some fifty operas of which twenty-eight were produced in Venice between 1723 and 1740, while there are a few modern sources attributing – probably inaccurately – 81 operas to the composer. Today he is most noted for his instrumental music, especially his oboe concertos. He is thought to have been the first Italian composer to employ the oboe as a solo instrument in concerti (c. 1715, in his masterful 12 concerti a cinque, op. 7) and the first composer globally to publish such works, while it is likely that the first existing concerti featuring a solo oboe came from German composers such as Telemann or Händel, although probably unpublished. In Italy, Alessandro Marcello published his well known oboe concerto in D minor a little later, in 1717. Albinoni has also been fond of the instrument regarding chamber works.

His instrumental music greatly attracted the attention of Johann Sebastian Bach, who wrote at least two fugues on Albinoni’s themes and constantly used his basses for harmony exercises for his pupils.

Part of Albinoni’s work was lost in World War II with the destruction of the Dresden State Library, thus little is known of his life and music after the mid-1720s.

The Albinoni Adagio in G minor is a 1958 composition entirely composed by Remo Giazotto, which Giazotto claimed to have based on fragments from a slow movement of an Albinoni trio sonata he had been sent by the Dresden State Library.


A. Vivaldi: Andromeda Liberata (RV Anh. 117)

ANDROMEDA LIBERATA (RV Anh. 117)
Serenata pasticcio a cinque voci dedicated to Cardinal Ottoboni
Libretto: Vincenzo Cassani
Venice, 18 September 1726

Duration: 1 hour 40 min

NICOLA ANTONIO GIACINTO PORPORA [c. 1686 – 1766]
Sinfonia I & II – 0:00

PART ONE
Recitativo
NICOLA ANTONIO GIACINTO PORPORA [c. 1686 – 1766]
Aria con Coro [Meliso]: In (su) queste sponde – 5:52
Recitativo
TOMASO GIOVANNI ALBINONI [1671 – 1751]
Aria [Cassiope]: Quando chiudere pensai – 9:29
Recitativo
GIOVANNI PORTA [1675 – 1755]
Aria [Andromeda]: Un occhio amabile – 15:55
Recitativo
TOMASO GIOVANNI ALBINONI [1671 – 1751]
Aria [Perseo]: Non ha tranquillo – 25:09
Recitativo
TOMASO GIOVANNI ALBINONI [1671 – 1751]
Aria [Cassiope]: Si rinforzi in te la speme – 30:01
Recitativo
ANTONIO BIFFI [1666 – 1733] / ANTONIO LOTTI [1667 – 1740]
Aria [Daliso]: Se una sorta di strali Amor avesse – 34:15
Recitativo
NICOLA ANTONIO GIACINTO PORPORA [c. 1686 – 1766]
Aria [Meliso]: Ruscelletti limpidetti – 40:28
Recitativo
GIOVANNI PORTA [1675 – 1755]
Aria [Andromeda]: Madre, lascia ch’io senta in prima il core – 45:26
Recitativo
Aria [Andromeda]: Mi piace e mi diletta – 46:55
Recitativo
Aria [Andromeda]: Madre, lascia ch’io senta in prima il core – 48:35
NICOLA ANTONIO GIACINTO PORPORA [c. 1686 – 1766]
Coro: Dall’alto seggio – 50:14

PART TWO
Recitativo
GIOVANNI PORTA [1675 – 1755]
Aria [Andromeda]: Lo so, barbari fati – 52:25
Recitativo
ANTONIO BIFFI [1666 – 1733] / ANTONIO LOTTI [1667 – 1740]
Aria [Daliso]: Peni chi vuol penar – 58:52
Recitativo
NICOLA ANTONIO GIACINTO PORPORA [c. 1686 – 1766]
Aria [Meliso]: Dalle superne sfere lieto, Imeneo, discendi – 1.03:15
Recitativo
GIOVANNI PORTA [1675 – 1755]
Aria [Andromeda]: Chi è fenice ad ogni foco – 1.07:51
Recitativo
ANTONIO LUCIO VIVALDI [1678 – 1741]
Aria [Perseo]: Sovvente il sole RV 749.18 – 1.14:19
Recitativo
TOMASO GIOVANNI ALBINONI [1671 – 1751]
Aria [Cassiope]: Con dolce mormorio – 1.24:55
Recitativo
TOMASO GIOVANNI ALBINONI [1671 – 1751]
Duo [Andromeda, Perseo]: Sposo amato, Cara sposa – 1.32:16
NICOLA ANTONIO GIACINTO PORPORA [c. 1686 – 1766]
Aria con Coro [Daliso]: Riconosco in voi – 1.35:39

ANDROMEDA
Simone Kermes (soprano)
PERSEO
Max Emanuel Cencic (countertenor)
CASSIOPE
Katerina Beranova (soprano)
MELISO
Anna Bonitatibus (mezzo)
DALISO
Mark Tucker (tenor)

Federica Cazzaro, Klara Lóczi, Sonia Marcato, Cristina Siviero, Silvia Toffano (soprano)
Andrea Arrivabene, Maria Ilaria Cosma, Viviana Giorgi, Alessandra Perbellini, Alessandra Zanardo (alto)
Michele Da Ros, Alessandro Gargiulo, Alberto Mazzocco, Stefano Palese, Nicolò Pasello (tenor)
Antonio Albore, Paolo Bassi, Alessandro Magagnin, Alessandro Pitteri, Luigi Varotto (bass)
La stagione armonica (choir) / Sergio Balestracci (conductor)

Venice Baroque Orchestra / Andrea Marcon (conductor)
http://www.venicebaroqueorchestra.it/cms/

2004 – DDD


Tomaso Giovanni Albinoni, Concerto for 2 oboes, strings & b.c. in D major

Venetian Baroque

Tomaso Giovanni Albinoni
Concerto for two oboes, strings and basso continuo in D major (Op. 7 n. 8)

I. Without tempo indication
II. Largo
III. Allegro

Performers: Stuttgart Chamber Orchestra / Nicol Matt (conductor)

Stefan Schilli – oboe I

Giovanni Deangeli – oboe II


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