Category Archives: Mediterranean music

L’Arpeggiata, album “Mediterraneo”

L’Arpeddiata, “Mediterraneo”

1 Are Mou Rindineddha: Canto Greco-Salentino
2 Sem Saber: Portugal
3 Hasapiko: Greece
4 Tres Sirenas: Neapolitan / Greek / Spanish
5 Hicâz Mandira: Turkey
6 Pizzica Di San Vito: Salento
7 Amygdalaki Tsakisa: Greece
8 La Dama D’Aragó: Catalonia
9 Amor De Mel, Amor De Fel: Portugal
10 Güneş & Ay: Turkey
11 De Santanyí Vaig Partir: Mallorca
12 Rosa Negra No Meu Peito: Portugal
13 Thalassa Lypisou: Greece
14 Oriamu Pisulina: Canto Greco-Salentino
15 O Pajem: Portugal
16 Sfessania: Naples
17 Agapimu Fidela Protini: Canto Greco-Salentino
18 Cantigas De Portugueses: Portugal
19 Los Delfines: Spain


Are mou Rindinedha (by L’Arpeggiata)


From new CD ‘Mediterraneo’ – release date March 2013
Performers: L’Arpeggiata
Christina Pluhar


Canção do Mar


“Canção do Mar”, by Dulce Pontes

Performers: Pelageya and Elmira Kalimyllina


Musique de la Grèce antique

Musique de la Grèce antique” (CD Harmonia Mundi)
Performers: Atrium Musica de Madrid & Gregorio Paniagua

1. Anakrousis. Orestes Stasimo 3’03
2. Fragmenrs instrumentaux de Conrrapollinopolis 0’59
3. 1re Hymne Delphique à Apollon 4’50
4. Plainte de Tecmessa l’16
5. Papyrus Wien 29825 – G 13763/1494 4’58
6. Hymne au Soleil l’55
7. Hymne à la Muse 0’57
8. Hymne à Némésis 1’34
9. Papyrus Michigan 4’05
10. Aenaoi Nefelai 1’25
11. Epitaphe de Seikilos l’51
12. Pean. Papyrus Berlin 6870 1’46
13. Anonymi Bellermann 4’l1
14. 1re Ode Pyhique 1’32
15. Papyrus Oxyrhynchus 2436 1’09
16. Hymne Chrétienne d’Oxyrhynchus 1’30
17. Homero Hyrnnus 0’27
18. Papyrus Zenon. Cairo fragment 0’48
19. Terencio. Hecyra 861 0’24
20. Poem. Mor l, llf. Migne 37,523 0’37
21. 2e Hymne Delphique à Apollon 7’14
22. Papyrus Oslo A/B. Epilogos-Karasrrophe 5’09

- - - - - - 
Atrium Musicae was an early music ensemble from MadridSpain, founded in 1964 by Gregorio Paniagua, a Spanish monk.

Perhaps the group’s most famous recording is Musique de la Grèce Antique (Music of Ancient Greece), in which they performed ancient Greek music carefully taken from scattered extant fragments of papyrus. Performing the ancient compositions also meant they had to reconstruct an arsenal of ancient instruments. This ancient music was an important aspect of the group’s live performances during a series of acclaimed international tours. Another well-known recording by the group is their 1976 disc Musique Arabo-Andalouse, which delves into the Hispanic-Moslem music of southern Spain and is credited with creating new interest in the genre. From the late 1970s to the early 1980s the group made a series of recordings dealing with 15th and 16th century popular Spanish songs, then shifted their attention to the New World for the album Las Indias de Espana, a recording of Pre-Columbian music collected from archives.

The group dissolved in the early 1980s. Several members, including Eduardo Paniagua, began solo careers.

(Source: https://en.wikipedia.org/wiki/Atrium_Musicae_de_Madrid)


Eduardo Paniagua (Anónimos; Tres morillas / Por vos)

El trío de Eduardo Paniagua interpreta “Tres morillas / Por vos” (Anónimos. Cancionero Musical de Palacio), en XII Noches en los jardines del Real Alcázar. Grabado en Sevilla el día 19 de julio de 2011 (© Actidea)

Performers: Eduardo Paniagua: salterio, flautas, canto y percusión
César Carazo: canto y viola medieval
Felipe Sánchez Mascuñano: laúd medieval y guitarra barroca


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