Tag Archives: Baroque music

J.S. Bach: 6 Suites for Cello Solo

J.S. Bach: 6 Suites for Cello Solo (Full Album)

Performer: István Várdai

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Baroque Music from The Netherlands

Performers: Musica ad Rhenum

1. Johann Christian Schickhardt, Concerto for flute, 2 oboes, strings in G minor 0:00
2. Anton Wilhelm Solnitz, Sinfonia in A major, Op 3/4 16:29
3. Johannes Albertus Groneman, Flute Concerto in G major, 28:28
4. Willem de Fesch, Concerto for 2 violins,in B flat major, Op 10/2 36:26
5. Johannes Albertus Groneman, Flute Concerto in G major 45:44
6. Conrad Friedrich Hurlebusch, Concerto in A minor for 2 oboes, 1:00:04

Johann Pachelbel, Canon In D

Johann Pachelbel, ‘Canon in D’ or ‘Canon and Gigue for 3 violins and basso continuo’ (German: Kanon und Gigue für 3 Violinen mit Generalbaß) (PWC 37, T. 337, PC 358))

Johann Sebastian Bach: Concertos For Oboe & Oboe D’Amore

Johann Sebastian Bach, BWV 1055, 1056, 1059R, 1053R, 1060.

Performers: Christian Hommel; Helmut Muller-Brühl: Cologne Chamber Orchestra


A. Vivaldi: «La Stravaganza» 12 Violin Concertos Op.4

12 Concerti Consacrati a Sua Eccellenza il Sig. Vettor Delfino Nobile Veneto
Amsterdam, 1716

Performers: L’Arte Dell’Arco
Federico Guglielmo [solo violin, concertmaster]
Rossella Croce [violin I]
Mauro Massa [violin II]
Enrico Balboni [viola]
Jorge Alberto Guerrero [cello]
Mauro Zavagno [violone/double bass]
Roberto Loreggian [harpsichord/chamber organ]
Diego Cantalupi [theorbo/baroque guitar]

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A. Scarlatti, Concerto for recorder in A minor

Alessandro Scarlatti, Concerto for recorder in A minor


Recorder – Colin Jardine

Members of Concerto Berlin – EFAM

From a concert in 1997, Berlin – Kreuzberg

Turlurù (Bergamasca) – L’Arpeggiata with Marco Beasley

Turlurù is a bergamasca baroque/jazz improvisation composed by L’Arpeggiata conductor Christina Pluhar, along with Gianluigi Trovesi, clarinettist, and the idea to set the music to the Turluru lyrics was conceived by Marco Beasley, tenor.

Performers: L’Arpeggiata, Gianluigi Trovesi, Marco Beasley (tenor).


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